Genre frames the way mafia films are interpreted by the viewer. Depending on the type of genre, films can come off as more fictional, historic, romantic, or comedic. Regardless of type, the films still expose the viewer to components of the mafia myth. For example, Salvatore Giuliano resembles a fake documentary describing the death of a Sicilian bandit engaged in mafia activities, In Guerra Per Amore sensationalizes the myth of the mafia by centering the story on the trials of a couple during World War II, and The Godfather utilizes dramatic lighting and retribution to engage the viewer in a convoluted story of inheritance.
Drama and the use of dramatic storytelling intensifies the violent underground stereotypes in regards to the mafia. When people imagine members of the mafiosi, they typically describe an Italian or Italian-American man who is involved in organized crime with a strong loyalty to his blood and mafia families. However, dramatizing the morally questionable acts involving bloodshed and corruption tend to exaggerate the image of a mafioso and often caricature him into a villain of the shadows. Dramatic techniques used within dialogue and lighting also serve to evoke emotions from the viewer whether it be by extending blatantly violent scenes or creating tension during soft-spoken meetings. Using drama as a vehicle for the mafia myth is beneficial to its survival since it can strengthen the portrayal of family loyalty and overall devotion to the organization.
In contrast, the use of the comedy can make the myth of the mafia more tragic. Often the topic at hand in mafia films is questionably amoral, so making light of the situation can create dissonance in the minds of the viewers. However, too much comedy may also downplay the intricate criminal networks and relationships that function and are considered a source of pride. While the use of drama may over-exaggerate the perception of the mafia, comedic elements can help to humanize the mafiosi and make the myth more accessible to the common man. Even though the mafia myth can be represented in a humanistic fashion, the inherent questionability of the organization and its dealings must not be lost on the viewer.
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